tag:blogger.com,1999:blog-5141565209010763802024-03-19T00:45:06.700-07:00Catherine GrayCatherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.comBlogger44125tag:blogger.com,1999:blog-514156520901076380.post-58576853225525692542014-01-27T16:02:00.000-08:002014-01-27T16:02:22.179-08:00INTERVENTION: ARTISTS WORKING IN MUSEUM & HERITAGE SETTINGS<span style="font-family: Arial, Helvetica, sans-serif;">Keith Harrison is one of the key note speakers at this professional development day which takes place in Bristol this week. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I'm really looking forward to this as it's going to be all about exploring and fostering the relationship between artists and museums, an area that I've been interested in since I worked on <i>Pigeon English</i> at the Holburne Museum. As I'm just about to finish my Masters Degree, I really hope that the day will give me plenty of inspiration to develop a new project.</span><br />
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-80488477106723912552014-01-27T15:58:00.000-08:002014-01-27T16:02:22.183-08:00SNEEKY PEEK<span style="font-family: Arial, Helvetica, sans-serif;">I've just installed my final Masters assessment show at Bath School of Art and Design. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">As the public show doesn't take place until September I thought I'd post a couple of images of my new work.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-75405500730270516672014-01-27T15:22:00.001-08:002014-01-27T16:02:22.181-08:00BARNABY BARFORD<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">Barnaby Barford gave a Masterclass at the University in the week…</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">It was interesting to hear about the logistics of making some of his larger scale pieces, for example the <i>Seven Deadly Sins</i> mirrors. </span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-33023477861650990782014-01-16T04:14:00.000-08:002014-01-27T16:02:22.177-08:00WHITE ELEPHANT<div class="MsoNormal">
<span lang="EN-US" style="font-size: 13pt;"><span style="font-family: Arial, Helvetica, sans-serif;">A <b><i>white elephant</i></b> is an idiom for a valuable but
burdensome possession of which its owner cannot dispose and whose cost
(particularly cost of upkeep) is out of proportion to its usefulness or worth. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-size: 13pt;"><span style="font-family: Arial, Helvetica, sans-serif;">The term derives from the
story that the kings of Siam (now Thailand) were accustomed
to make a present of one of these animals to courtiers who had rendered
themselves obnoxious, in order to ruin the recipient by the cost of its
maintenance. <o:p></o:p></span></span></div>
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-54218668223476278812014-01-05T10:33:00.000-08:002014-01-05T10:36:07.505-08:00NOT APPY<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhKDYO638jUSIQKMpG6Nf87JatALtJR9-2X1SMIWdOOZUxYJtZMFJ8VZJf3k4F9DzxWPlrf3MnhKImlGUmrrn6tgUpVQJuTnLn0uNGcaJsV7-v2qHy1F2wzMNoCS0z3FjzMetiF3HQnGE/s1600/Unknown-1.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhKDYO638jUSIQKMpG6Nf87JatALtJR9-2X1SMIWdOOZUxYJtZMFJ8VZJf3k4F9DzxWPlrf3MnhKImlGUmrrn6tgUpVQJuTnLn0uNGcaJsV7-v2qHy1F2wzMNoCS0z3FjzMetiF3HQnGE/s1600/Unknown-1.jpeg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I </span><span style="font-family: Arial, Helvetica, sans-serif;">recently </span><span style="font-family: Arial, Helvetica, sans-serif;">experienced something new within the realms of the 'gallery experience' at </span><i style="font-family: Arial, Helvetica, sans-serif;">Pop Art Design,</i><span style="font-family: Arial, Helvetica, sans-serif;"> the Barbican.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Wandering around the exhibition I became aware that many of visitor's attentions were focused on their mobiles phones rather than on the art….</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">More surprising was my own response to this. Rather than seizing this opportunity to bemoan the intrusion of digital technology into every crease and fold of our lives,</span><span style="font-family: Arial, Helvetica, sans-serif;"> I felt contrarily compelled to approach the gallery attendant in order to discover exactly what it was that I was missing out on...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The "<i>exhibition app" </i>was the answer. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Simply scan the QR code (assuming that you have already handily downloaded a scanner app, that you have a phone of the smart variety and that you have not exceeded your data roaming quota that month) displayed on the wall next to the exhibition statement and enjoy an enhanced viewer experience... </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Check it out for yourselves <a href="http://www.barbican.org.uk/apps/"><span style="color: white;">Pop Art Design App</span></a> </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I got it, I gave it the quick once over in the gallery, I put my phone away and only returned to it once later on to find out more about the exhibits which were of most interest to me - ceramic works by Carole McNicholl, Peter Blake's <i>Babe Rainbow</i> and an interesting neon piece by an artist who's name I didn't know. Regrettably none of these pieces were featured on the app, and so that's where we parted company.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The experience left me a little cold and pondering questions such as, who then curates the app content? and</span><span style="font-family: Arial, Helvetica, sans-serif;"> how technological advancement will affect our engagement with art consumption in the future?</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibTeEQQFj3HDZpSVNheeOUCCWqCMJS-QkN7PplrFLDXlc82UQ_trkEbh3gFWIgbO45snM6Nop91vrzANl4gKmEl6GXUoi-a2Oc6SuooM6-ZKJVHafy7zB3v4PkfrsSlFsHWY0QPOpcBt8/s1600/Unknown-4.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibTeEQQFj3HDZpSVNheeOUCCWqCMJS-QkN7PplrFLDXlc82UQ_trkEbh3gFWIgbO45snM6Nop91vrzANl4gKmEl6GXUoi-a2Oc6SuooM6-ZKJVHafy7zB3v4PkfrsSlFsHWY0QPOpcBt8/s1600/Unknown-4.jpeg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I first imagined an empty gallery space totally devoid of any tangible works of art, with visitors roaming around staring at the virtual exhibits on their mobile devices, then I thought, actually... why bother getting off the sofa to do that?</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipmMTJIWClNVbqp6qcElJuV8wiXycffkCzau5P6q6_0UebUli8UyM01Dq1n822cZwCQAsiZ3uOVbCDjhyYjALGnSo_XQfOKmpjxZbVwZzuynP3Ba9WB8FFXczhmKi3hnRXgA1zx6k4UMs/s1600/Unknown-2.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipmMTJIWClNVbqp6qcElJuV8wiXycffkCzau5P6q6_0UebUli8UyM01Dq1n822cZwCQAsiZ3uOVbCDjhyYjALGnSo_XQfOKmpjxZbVwZzuynP3Ba9WB8FFXczhmKi3hnRXgA1zx6k4UMs/s1600/Unknown-2.jpeg" /></a></div>
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-70093223078240975662014-01-01T08:50:00.000-08:002014-01-01T08:50:05.136-08:00SPOT THE PIGEON<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">CHRISTMAS WINDOW DISPLAY AT BRISTOL GUILD</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg81EzL6BElJCTHZ4Fer3AxxKqlV83xUimMxG_V1Msf4b2pG4mO7OaJAtF5DbqKgAciN_zCodgbV2FDXyodycRMz6HVWSN7l215C-EcRZGpg7faj0qj-cEqlK1a8eXJC-3LQFaP4BEq-jI/s1600/IMG_4172.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg81EzL6BElJCTHZ4Fer3AxxKqlV83xUimMxG_V1Msf4b2pG4mO7OaJAtF5DbqKgAciN_zCodgbV2FDXyodycRMz6HVWSN7l215C-EcRZGpg7faj0qj-cEqlK1a8eXJC-3LQFaP4BEq-jI/s400/IMG_4172.JPG" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihq-dtLPUr8Lhg_5SQayjlnw_NA0n6uVny7qtulut2lxZakE6ULWqr3vZsVEOLjVY5xU6t80N8yRZAEHnnid99f89Ij9EHPcgImYXuWo4s6H3LlMlLy80M6OVlYTZLPw-S4jdSRA8vYRc/s1600/IMG_4170.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihq-dtLPUr8Lhg_5SQayjlnw_NA0n6uVny7qtulut2lxZakE6ULWqr3vZsVEOLjVY5xU6t80N8yRZAEHnnid99f89Ij9EHPcgImYXuWo4s6H3LlMlLy80M6OVlYTZLPw-S4jdSRA8vYRc/s400/IMG_4170.JPG" width="400" /></a></div>
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-87404468460149137852014-01-01T08:49:00.000-08:002014-01-01T08:49:14.182-08:00POP ART DESIGN<span style="font-family: Arial, Helvetica, sans-serif;">THE BARBICAN</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqI8tLAKwEwnWszrzj24PdjtIL-PplEUosHClSCc-3-Pc9wojjea6c7Eu-JUIBccdmisoPh5k9fg8pDxCovYDVAslojI8XQe6htFclmkES-uq9DFeRygGHNuxz2g7qVRpfx8RSoJZtcJY/s1600/IMG_4182.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqI8tLAKwEwnWszrzj24PdjtIL-PplEUosHClSCc-3-Pc9wojjea6c7Eu-JUIBccdmisoPh5k9fg8pDxCovYDVAslojI8XQe6htFclmkES-uq9DFeRygGHNuxz2g7qVRpfx8RSoJZtcJY/s320/IMG_4182.JPG" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I visited the Barbican before Christmas to take in this show which concentrates on the dynamic relationship between Pop Art and Design, recognising the dialogue that exists between the two.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib1dfqbjsvwewOuXmbVPOLaaeOYDdce_KYfRnm74YLesHX_Qb02pHUpXI08GpVhGcEl87Puhr2zAV_TPDUvFodxljg5HdONiXGS2oL-N0wV42H5unY3gUF7HX6geXwpUKI6uObvRGQO6k/s1600/images-6.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib1dfqbjsvwewOuXmbVPOLaaeOYDdce_KYfRnm74YLesHX_Qb02pHUpXI08GpVhGcEl87Puhr2zAV_TPDUvFodxljg5HdONiXGS2oL-N0wV42H5unY3gUF7HX6geXwpUKI6uObvRGQO6k/s1600/images-6.jpeg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">The Barbican Centre's 1</span><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">970's Brutalist architectural style</span><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;"> was in it's self was an unexpected delight.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Growing up in this era was such a formative experience and walking around the exhibition really drove that home. Memories of childhood times spent looking around Arnolfini in the early days came flooding home… Gilbert and George, Allen Jones, Peter Blake, they all added to the development of my internal vocabulary, which I now recognise as having a massive influence on my perception of contemporary art and my position within it</span><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Seeing Peter Blake's </span><i style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Babe Rainbow</i><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;"> in the flesh for the first time gave me goose bumps.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">My work occupies an ambiguous hinterland between product, art and design.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-41568451995725062052014-01-01T08:43:00.004-08:002014-01-01T08:49:22.480-08:00LONDON LIGHTS<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMi1oY8VhyphenhyphenG0QE2sqKIC38uGWm8CBnim-HTp0d8xggqPpzIc08oChNe6nOvyGJjVtVpQUe_PViHvX-AcV36VGznxKMKV5wnNMwyNkXJkuvZV_oZDkUImU1Adig2j-FZJ8muvHh_07dxwY/s1600/IMG_4191.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMi1oY8VhyphenhyphenG0QE2sqKIC38uGWm8CBnim-HTp0d8xggqPpzIc08oChNe6nOvyGJjVtVpQUe_PViHvX-AcV36VGznxKMKV5wnNMwyNkXJkuvZV_oZDkUImU1Adig2j-FZJ8muvHh_07dxwY/s400/IMG_4191.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">PAUL SMITH, WESTBOURNE GROVE</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">MADAME TUSSAUDS, MARYLEBONE ROAD</span></div>
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<br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-5429040887311084552014-01-01T08:37:00.002-08:002014-01-01T08:45:56.500-08:00FRAME PROTOTYPES<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-22020582066286930122014-01-01T08:21:00.004-08:002014-01-01T08:21:56.131-08:00BIRTHINGDAY CHRYSANTHEMUMS<div class="separator" style="clear: both; text-align: left;">
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-28648974411636451572013-12-31T11:02:00.000-08:002013-12-31T11:02:30.244-08:00PURE COLOUR<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-63061445841129441152013-12-31T10:59:00.000-08:002013-12-31T10:59:23.644-08:00FLATLANDS<b><span style="font-family: Arial, Helvetica, sans-serif;">DAVID BATCHELOR</span></b><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Following<i> LIGHTSHOW</i> at the Hayward Gallery, earlier in the year I was eager to get down to Spike Island for David Batchelor's current exhibition which explores his ideas about colour, line, space and perception in both his drawings and paintings from the past twenty years.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Visually the 'white cube' space of Spike's Gallery provided an excellent arena for these works. </span><span style="font-family: Arial, Helvetica, sans-serif;">Unfortunately Batchelor in conversation with exhibition curator Andrea Schlieker, was a little less successful as it was</span><span style="font-family: Arial, Helvetica, sans-serif;"> given in the inner gallery, surrounded by his 'blob' paintings. Experiential maybe, but sadly an acoustic disaster. I hope to add a link to a podcast of the lecture soon. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The exhibition covered four main areas:</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The colour and monochromatic drawings and paintings which have informed Batchelor's sculptural and installation works over the past two decades. </span><br />
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<i style="font-family: Arial, Helvetica, sans-serif;">The October Drawings, </i><span style="font-family: Arial, Helvetica, sans-serif;">a series of drawings</span><span style="font-family: Arial, Helvetica, sans-serif;"> displayed together in a side gallery. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">and his most recent 'blob' paintings, pools of poured gloss paint on plinth-like solid black rectangles.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Seeing the work in this exhibition confirmed how vital it is to continue to allow my work to flow seamlessly between 2D and 3D, for one to continue to inform and influence the other boundlessly. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Finally, and of most </span><span style="font-family: Arial, Helvetica, sans-serif;">relevance to my own work, Batchelor has apparently also been seduced by, in this case, shards of coloured glass. This carries an obvious resonance with my research which examines the combination of reflected daylight and coloured acrylic.</span><br />
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-71475682308196926392013-12-16T15:01:00.002-08:002014-01-01T08:54:05.809-08:00ON REFLECTION<div class="separator" style="clear: both; text-align: center;">
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I'm starting to think about a suitable mode of display for the plates.<br />
I saw these outsized, armatured magnifying glasses in a window display at H&M a while ago.<br />
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These Copper Mirrors by a Norwegian design partners Hunting and Narud were shown as part of London Design Festival 2013.<br />
The idea of using a frame which pivots appeals, as it would accommodate the need for them to be adjustable according to changes in light source.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizgD5fTUp2YCTejpUnnNBJoHcEsAEGi8Abr9qFFnC7xpwSc4PF-2RcFaXkZL93Y0_cngDgfZ93671pdmwhuy55sT0M3tKNhGP8VoZYHZNhQ0Nkq75TAb78t11TqInDOErf8TClcdDeNbY/s1600/dezeen_copper-mirror_8.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizgD5fTUp2YCTejpUnnNBJoHcEsAEGi8Abr9qFFnC7xpwSc4PF-2RcFaXkZL93Y0_cngDgfZ93671pdmwhuy55sT0M3tKNhGP8VoZYHZNhQ0Nkq75TAb78t11TqInDOErf8TClcdDeNbY/s1600/dezeen_copper-mirror_8.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Featured in Dezeen Magazine September 2013</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">In <i>14 Rooms upended</i> 2005 Richard Wentworth installed a series of carefully </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">positioned mirrors, part reflective, part transparent into the formal spaces of </span><span style="font-family: Arial, Helvetica, sans-serif;">Felbrigg Hall, encouraging visitors to view the house from different perspectives. His work bears a strong resonance with what I have been trying to achieve with my recent work.</span></div>
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Helen Maurer uses combinations of glass, light and overhead projections to create her site specific installations.</div>
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<span style="text-align: left;">I have used digital projections in previous work and will use this medium in the future to project blocks of coloured light onto ceramic objects.</span></div>
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<br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-60863874735692623612013-12-16T11:41:00.000-08:002014-01-01T09:02:06.624-08:00TOPOGRAPHIES OF THE OBSOLETE: VOCIFEROUS VOID<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Images from this utterly intriguing site-specific project at the Spode Factory in Stoke - the most exciting exhibit at The British Ceramics Biennial.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Wandering around this vast, redundant factory site on a depressing, grey November day further added to weight of the atmosphere and profound feeling of loss. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">An exploration was made of the residual aspects of abandoned industry, which challenged our perceptions, expertly drawing attention to the residual traces of a once thriving factory and its workforce.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Works by artists associated with the larger, on going project curated by Neil Brownsword and Helen Mydland in association with Bergen Academy of Art and Design (KHiB) Norway, included film of Northern Soul dancers jiving in the in the Directors hall, Camera Obscurers made from redundant plaster moulds, and vistas of inaccessible areas of the factory.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">However what really grasped me were the most benign aspects of this place </span><span style="font-family: Arial, Helvetica, sans-serif;">(the sort of things that tend to preoccupy my attention generally). </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">These played with my </span><span style="font-family: Arial, Helvetica, sans-serif;">perceptions. </span><span style="font-family: Arial, Helvetica, sans-serif;">Unintentional observations or deliberate interventions??</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Staff Pinboard - minus content, apart from a </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">trace of a </span><span style="font-family: Arial, Helvetica, sans-serif;">'SITUATION VACANT' notice.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Workers shoes abandoned,</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> impregnated with dust.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Budlia with an ephemeral dusting of </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> - weeds beginning to take hold.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> </span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-47025840685743357592013-11-18T02:37:00.002-08:002013-11-18T02:44:44.348-08:00BRITISH CERAMICS BIENNIAL 2013<br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">I recently took a
'Keith's Coach Tours' road trip to Stoke-on-Trent to visit the British Ceramics
Biennale.</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: left;">First stop was the The Potteries Museum & Art Gallery which hosted </span><i style="font-family: Arial, Helvetica, sans-serif; text-align: left;">AWARD the Biennial's "major survey
exhibition of current ceramic practice in the UK".</i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">Sadly I had to pinch
myself a few times to remind myself that we had't inadvertently turned
right onto the M4 and arrived at Ceramic Art London...(same old, same old)…</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">There were,
however two redeeming highlights of the show.</span></span><span style="font-family: Arial, Helvetica, sans-serif;">The first of which was Nick
Lee's amazingly uber-crafted objects, the result of his M.phil research at the
Royal Collage of Art. I’ve seen photographs and heard them described, but
nothing prepared me for cerebral quality of his new work. The pieces
demanded much curiosity from visitors to the exhibition. Not only has Nick managed to
create these technically impossible forms from a wildly challenging material,
but in doing so, he draws attention to the 'penumbra' – the area where solid
form meets shadow,occupying the boundary between matter and space.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghrxTTaBLB8BvpDuUh2YA_90cyqIzVQXj684SGT8hXKXKiYKua0nXK793svQgPWDS3E14W7RXlJv8RNYc919SzmgUKAHrqYCu5Dd2BBFidXzuhHMQtuH-BTZTOfFVltlwg6vyeTMjy_L8/s1600/P1070381.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghrxTTaBLB8BvpDuUh2YA_90cyqIzVQXj684SGT8hXKXKiYKua0nXK793svQgPWDS3E14W7RXlJv8RNYc919SzmgUKAHrqYCu5Dd2BBFidXzuhHMQtuH-BTZTOfFVltlwg6vyeTMjy_L8/s320/P1070381.JPG" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpTc3_bWP9ZYcACoec-zUwBmueh69gCzqux9ipMVM270b_AyEzAB1PcyQiZ9a9PpkHAUfk0L0yb98ND56UPsFReKLTjz8fmnnO2bw5PuXt2WhWmES3RnWPvD6DUNS9V59JPob9EEUUko/s1600/P1070380.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpTc3_bWP9ZYcACoec-zUwBmueh69gCzqux9ipMVM270b_AyEzAB1PcyQiZ9a9PpkHAUfk0L0yb98ND56UPsFReKLTjz8fmnnO2bw5PuXt2WhWmES3RnWPvD6DUNS9V59JPob9EEUUko/s320/P1070380.jpg" width="213" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Accompanying drawings were fresh and accentuated the seamless transition of the work between 2D and 3D.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHulKnxypcWjMvXcJ7HE6gP7WZ-hLJHF_CAJNCBLrT6oOxJEdbVHikzHScd5XVGeNndniWo-r5mxkkSSb9lqdGSOnequp4FEIsmI_c96hZulDvFZ9G63Ymj9J5vbWYDZJ3ZhzPG_og5o/s1600/P1070383.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHulKnxypcWjMvXcJ7HE6gP7WZ-hLJHF_CAJNCBLrT6oOxJEdbVHikzHScd5XVGeNndniWo-r5mxkkSSb9lqdGSOnequp4FEIsmI_c96hZulDvFZ9G63Ymj9J5vbWYDZJ3ZhzPG_og5o/s320/P1070383.jpg" width="213" /></a></div>
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<i style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">The Uncanny Playroom</span></i><span lang="EN-US" style="font-family: Arial, Helvetica, sans-serif;"> by Christy Brown was an utterly intriguing, if somewhat unsettling gathering of ceramic & mixed media figurative sculptures.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Brown explores fragmented objects and their relationship with the human figure to create a narrative which leads you into a dreamlike ancient other world.</span></div>
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<!--EndFragment--><br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-66945438471766170622013-10-31T12:56:00.000-07:002013-10-31T12:56:06.077-07:00Elephant in the room<span style="font-family: Arial, Helvetica, sans-serif;">Looking around at elephants and popular culture, I remembered this work by our favourite son of Bristol, Banksy. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Exhibited as part of <i>Barely Legal</i>, a live elephant was hand painted in a pink and gold chintz motif echoing the wallpaper of the room in which it was allowed to roam free during the show. 'Elephant in the room' </span><span style="font-family: Arial, Helvetica, sans-serif;">is a metaphorical idiom for an obvious truth that is either being ignored or going unaddressed. In this case Banksy aims to draw public attention to world poverty.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhouJaS0di-VHw0AO6p67uGQ7S5v1kxHWh9_hlxCbKvaeCE1zLEFWKhTb6Jeaw4I8SOIcKytijUKyaLGq9d3-kdFKFFk_irhm3XsjA2j27ORTzPHdmDlMh2gfPQ2MVotw5F1GW4eJxfvSw/s1600/Bansky.Elephant.jpg.bmp" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhouJaS0di-VHw0AO6p67uGQ7S5v1kxHWh9_hlxCbKvaeCE1zLEFWKhTb6Jeaw4I8SOIcKytijUKyaLGq9d3-kdFKFFk_irhm3XsjA2j27ORTzPHdmDlMh2gfPQ2MVotw5F1GW4eJxfvSw/s320/Bansky.Elephant.jpg.bmp" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Barely Legal. Los Angeles 2006</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">This unsettling transposition of an instantly recognisable pattern onto an </span><span style="font-family: Arial, Helvetica, sans-serif;">incongruous</span><span style="font-family: Arial, Helvetica, sans-serif;"> object, holds a </span><span style="font-family: Arial, Helvetica, sans-serif;">resonance</span><span style="font-family: Arial, Helvetica, sans-serif;"> with the use of the traditional willow pattern in my current work.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdNUz-lpBksiL3dtRVMwm95FqJngdD_-99BZAcZCNnJh3ETTdka7wRE82yhUvuHRWHblPpt84p7pfioiCX0EEbx3MY0R79e7R0nrWpzcvESvy4VHe-tcRI7ppDyvDmlIXSwdvA3JdiHmg/s1600/IMG_0168.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdNUz-lpBksiL3dtRVMwm95FqJngdD_-99BZAcZCNnJh3ETTdka7wRE82yhUvuHRWHblPpt84p7pfioiCX0EEbx3MY0R79e7R0nrWpzcvESvy4VHe-tcRI7ppDyvDmlIXSwdvA3JdiHmg/s320/IMG_0168.JPG" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-26749641905525104372013-10-24T15:33:00.000-07:002013-10-24T15:45:31.217-07:00Elephants on ParadeThe collective noun for a group of elephants is a 'Parade' of Elephants.<br />
This got us thinking about other collective nouns, some were quite unusual, for example the name for a group of Badgers was not as I suggested, a 'Cull' of Badgers, but actually a 'Cete'<br />
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of Badgers.<br />
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Whoop Studios produce these lovely collective noun prints. <a href="http://www.woopstudios.com/shop/templates/product_listing.aspx?category_id=27&category=A-Z-collection-by-noun"><span style="color: blue;">http://www.woopstudios.com/shop/templates/product_listing.aspx?category_id=27&category=A-Z-collection-by-noun</span></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnnRMjoPePy4URfRPyKqIACP2ThT7mVvgt6YUcW0gZtIf2FxRapUAhaaQ_xeeKSrumm0CYCeKOSeQ5ZkkqpsIS8y6SQ5O6PVW3zlTC8X51nKYfRRfSGD2E9iiJFeEgevminCfAn-OrgGo/s1600/elephants.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnnRMjoPePy4URfRPyKqIACP2ThT7mVvgt6YUcW0gZtIf2FxRapUAhaaQ_xeeKSrumm0CYCeKOSeQ5ZkkqpsIS8y6SQ5O6PVW3zlTC8X51nKYfRRfSGD2E9iiJFeEgevminCfAn-OrgGo/s400/elephants.jpg" width="276" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQKprASF9knbVguUMXCVeN-asIQENLtX_-nVv5dRZygug6IOCCA0JCrWHCQKsPqe3Ea_bAFCMd6cYMReyfIARHg5AECP_HmQ1k_I68D-F7A-CHUP-rZ-spfj4pdCzWJqcfTYk0g-wD4g/s1600/2_elephant_wall_detail.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQKprASF9knbVguUMXCVeN-asIQENLtX_-nVv5dRZygug6IOCCA0JCrWHCQKsPqe3Ea_bAFCMd6cYMReyfIARHg5AECP_HmQ1k_I68D-F7A-CHUP-rZ-spfj4pdCzWJqcfTYk0g-wD4g/s400/2_elephant_wall_detail.jpg" width="282" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorFkp6DC-DD0fsMqvkUg6UFzMJnoAtZ-8xEOm01Hb5Rr5P4O9B0jQbGD_AOgh5jm68Q1qnQX7OT5Hb2PpjHf0p18T5oe_Rx3fkyjrghzGmWBF12YwlqtBCXsYiBY_59-Vk4c5B66cziQ/s1600/1_badgers_b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorFkp6DC-DD0fsMqvkUg6UFzMJnoAtZ-8xEOm01Hb5Rr5P4O9B0jQbGD_AOgh5jm68Q1qnQX7OT5Hb2PpjHf0p18T5oe_Rx3fkyjrghzGmWBF12YwlqtBCXsYiBY_59-Vk4c5B66cziQ/s400/1_badgers_b.jpg" width="276" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj52QAXQAJMoQY-Q48UgcdZdl0HzoGXFNtNEj2HzEKpLU2wjAvpYa3mXsYUoGYJvRhTcNl1eQFxOnUfMmm_uB2qoM6_R2C00kWge3dXN5lt1t7IIhbetZDQB4K4X3rr4Y1k6WE7PJ1s09w/s1600/elephants.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj52QAXQAJMoQY-Q48UgcdZdl0HzoGXFNtNEj2HzEKpLU2wjAvpYa3mXsYUoGYJvRhTcNl1eQFxOnUfMmm_uB2qoM6_R2C00kWge3dXN5lt1t7IIhbetZDQB4K4X3rr4Y1k6WE7PJ1s09w/s1600/elephants.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-17085111507552077212013-10-24T15:04:00.000-07:002013-10-24T15:04:27.484-07:00To Bombay, a travelling Circus came, they brought an intelligent elephant and Nellie was her name. One dark night, she slipped her iron chain and off she ran to Hindustan and was never seen again...<span style="font-family: Arial, Helvetica, sans-serif;">I used one of the Scrapstore moulds to cast up a small herd of elephants in semi-porcelain casting slip.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The colour and surface quality of the freshly cast forms totally resembled elephant skin.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg67LUbhv3aYD_3kTP0HSO_rYQyJOnDstw9m_S-q4ombC89-iENvOWyhOSmAQO5ENne5qwXVyePK2Cn0-DamzjY1n7OQ0TDZMk41f3BNseHu9Ovvm9bfRewI_o0vAru2f8d_GtiWHDb9xk/s1600/IMG_0811.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg67LUbhv3aYD_3kTP0HSO_rYQyJOnDstw9m_S-q4ombC89-iENvOWyhOSmAQO5ENne5qwXVyePK2Cn0-DamzjY1n7OQ0TDZMk41f3BNseHu9Ovvm9bfRewI_o0vAru2f8d_GtiWHDb9xk/s400/IMG_0811.JPG" width="400" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-56464127397221582162013-10-24T14:43:00.000-07:002013-10-24T14:43:24.592-07:00SCRAPSTORE<span style="font-family: Arial, Helvetica, sans-serif;">On a recent visit to Bristol Scrapstore I couldn't believe my eyes... there, amongst the usual shelves of scrap stuff were loads & loads of commercially manufactured plaster moulds for slip casting.</span><div>
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<span style="font-family: Arial, Helvetica, sans-serif;">What an amazing find! </span><span style="font-family: Arial, Helvetica, sans-serif;">The only problem was, which to choose...</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizo2xl0nwd4wwAI6iJb9pG9AZceM-_Y7oNOATPIBfJs0QtY7xKSD9RN16sND2EvL775bJRxkqLGrKMJRxuWt72-tIifDu8lim5wxWFZxCPnQU4NREfclDQQfr5cLjZXYfrVDOvH4cbZMQ/s1600/IMG_0220.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizo2xl0nwd4wwAI6iJb9pG9AZceM-_Y7oNOATPIBfJs0QtY7xKSD9RN16sND2EvL775bJRxkqLGrKMJRxuWt72-tIifDu8lim5wxWFZxCPnQU4NREfclDQQfr5cLjZXYfrVDOvH4cbZMQ/s400/IMG_0220.JPG" width="400" /></a></div>
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-820549052924552712013-10-24T13:10:00.001-07:002014-01-01T09:50:04.755-08:00ReOrientation<span style="color: #999999; font-family: Arial, Helvetica, sans-serif;">Over the next couple of months I will be using this Blog to chronicle my journey through the final stages of my Masters Degree at Bath Spa University.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I joined the MA Design: Ceramics programme in October 2011, funded by The Arts and Humanities Research Council.</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">During this time I have worked on several 'live' projects, including 'Pigeon English' at the Holburne Museum, 'The Cornerstone Project' for Triodos Bank, and was shortlisted for the Bath Spa Porthleven Prize </span><span style="font-family: Arial, Helvetica, sans-serif;">2013</span><span style="font-family: Arial, Helvetica, sans-serif;">. </span></span><br />
<span style="color: #999999;"><span style="font-family: Arial, Helvetica, sans-serif;">Last year, to satisfy my ongoing interest in collections, curating and cultures of display, I was invited by Dr. Jo Dahn to attend selected MA: Curatorial Practice lectures at Corsham Court. </span><span style="font-family: Arial, Helvetica, sans-serif;">In parallel to the taught Masters programme I have</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="font-family: Arial, Helvetica, sans-serif;">undertaken </span><span style="font-family: Arial, Helvetica, sans-serif;">independent</span><span style="font-family: Arial, Helvetica, sans-serif;"> research in a variety of areas and</span><span style="font-family: Arial, Helvetica, sans-serif;"> have participated in an exemplary programme of Master Classes and Lecture Series presented by leading contemporary practitioners including; Takeshi Yasuda, Carol McNicoll, Bouke de Vries, Louisa Taylor, Anna Barlow, Nick Lees, Grayson Perry, Paul Scott, Moira Vincentelli, James Beighton, Conor Wilson, Neil Brownsword, Dan Allen and Mike Tooby. </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I have been fortunate to have had Jane Gibson and Keith Harrison, Jerwood Makers prize winner 2011 and Ceramics Resident at the V&A 2012-13, as my lead tutors throughout the Masters Degree.</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-1153017979597039152013-01-29T14:12:00.000-08:002013-01-29T14:35:02.198-08:00LIGHT SHOW<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRQ03TDiY11YBH2jbjoMEAH0fmI1qiagByPyrxG68hFynGcI5R9I3IbbUzuYQSgZc_lK3jMTOWST3bqUpVee7NoE8zjnmoIWpP7ljWRRGEm_cRDJ_dhOfTLz5nS_grzPOd1KTqvL4l5Y/s1600/P1040274.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRQ03TDiY11YBH2jbjoMEAH0fmI1qiagByPyrxG68hFynGcI5R9I3IbbUzuYQSgZc_lK3jMTOWST3bqUpVee7NoE8zjnmoIWpP7ljWRRGEm_cRDJ_dhOfTLz5nS_grzPOd1KTqvL4l5Y/s400/P1040274.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CATHERINE GRAY </td></tr>
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<span class="Apple-style-span" style="color: orange;">I'm currently pulling my work back into the realms of light, projection, & luminosity so can't wait to visit </span><span class="Apple-style-span" style="color: orange;"><a href="http://www.haywardlightshow.co.uk/">LIGHT SHOW</a></span><span class="Apple-style-span" style="color: orange;"> at the Hayward Gallery. </span><br />
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<tr><td class="tr-caption" style="text-align: center;">DAVID BATCHELOR</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">CARLOS CRUZ-DIEZ</td></tr>
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Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-73260003127223249962013-01-29T11:41:00.001-08:002013-01-29T12:30:27.449-08:00CORNERSTONE PROJECT FOR TRIODOS BANK<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif;">A recent collaboration with Fine Artist, Rachel Davies.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Community Arts Project for Triodos Bank. Participating artists were invited to make an intervention with the stone, a symbolic 'cornerstone' of a new, ethical banking system.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Watch a short film on <a href="http://www.youtube.com/watch?v=L1Q9EiGqgN0">YouTube</a></span><br />
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<br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-55783030520469464582012-10-04T12:50:00.001-07:002012-10-04T13:17:38.463-07:00PIGEON ENGLISH <!--[if gte mso 9]><xml>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Installation by Catherine Gray</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The Holburne Museum, Bath.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">2nd-19th October 2012</span></div>
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<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif;">Feral pigeons from Sidney Gardens come from beyond the
Museum, while the vibrant colours of ceramic glazes, inspired by the Museum’s
collection of early English porcelain, come from within. The two converge to
create a passel of ceramic pigeons, which dine alongside the public in this
unusual display ‘cabinet’.</span></div>
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<span class="Apple-style-span" style="color: orange; font-family: Arial, Helvetica, sans-serif;">Situating the work was a simple choice; the architectural
design of the building’s new extension had created an intriguing void between
two walls of glass, bringing the outside in and the inside out. It was this
void that I wanted the work to inhabit.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMr7HtkYfWZhlbZmegx6VDYphfsPY5Z-HWAnDXkYBoBZRo1HYAX7QlCgB1ed-wFhEGj5UeZEwkIovtfglYxX61v6EBQ8n6CJ5-9JqXrUPjIbJ2tQZCyFK8HxCOjO1gGO_JEXBNwA7zxGw/s1600/P1030785.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMr7HtkYfWZhlbZmegx6VDYphfsPY5Z-HWAnDXkYBoBZRo1HYAX7QlCgB1ed-wFhEGj5UeZEwkIovtfglYxX61v6EBQ8n6CJ5-9JqXrUPjIbJ2tQZCyFK8HxCOjO1gGO_JEXBNwA7zxGw/s320/P1030785.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMr7HtkYfWZhlbZmegx6VDYphfsPY5Z-HWAnDXkYBoBZRo1HYAX7QlCgB1ed-wFhEGj5UeZEwkIovtfglYxX61v6EBQ8n6CJ5-9JqXrUPjIbJ2tQZCyFK8HxCOjO1gGO_JEXBNwA7zxGw/s1600/P1030785.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a></div>
<!--EndFragment-->Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-90235736620527204232012-07-01T12:24:00.001-07:002012-10-04T13:05:17.430-07:00<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Very excited to have my work for sale at Bristol's iconic design store, <a href="http://www.bristolguild.co.uk/">BRISTOL GUILD</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVp5cvILjyJCj265KtsUu2V1STts_D5mtAj5vaJV6khvOkvGXcuLTdiBAu_nEmdZbJjKgjV-E2hi2hF8Pfwa7tgZA4M9mC_zrBoGY0DRTPFkg3DVKmkgKsoYG7kmNZ_8QqVIR3LL9cvw/s1600/_60930408_bristolstore.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVp5cvILjyJCj265KtsUu2V1STts_D5mtAj5vaJV6khvOkvGXcuLTdiBAu_nEmdZbJjKgjV-E2hi2hF8Pfwa7tgZA4M9mC_zrBoGY0DRTPFkg3DVKmkgKsoYG7kmNZ_8QqVIR3LL9cvw/s320/_60930408_bristolstore.jpg" width="320" /></a></div>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0tag:blogger.com,1999:blog-514156520901076380.post-7822059818130824062012-05-03T10:10:00.001-07:002012-05-03T10:10:29.447-07:00<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: orange;"><b>RIZZOLI BOOKSHOP</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: orange;"><b>SOMERSET HOUSE</b></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: orange;">A couple of images of my current show at Somerset House.</span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: orange;">Open daily 10:00-18:00</span></span><br />
<span class="Apple-style-span" style="font-family: Helvetica;"><a href="http://www.somersethouse.org.uk/shop/rizzoli-bookshop">http://www.somersethouse.org.uk/shop/rizzoli-bookshop</a></span><br />
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<br />Catherinehttp://www.blogger.com/profile/16841404885280611362noreply@blogger.com0